
Sully is one of those fine hidden Canadian gems that i love coming across. Sully is doing some really great and interesting stuff in Montreal and his creative energy shines through in his book, Hipless Boy.

Sully is one of those fine hidden Canadian gems that i love coming across. Sully is doing some really great and interesting stuff in Montreal and his creative energy shines through in his book, Hipless Boy.

Ball Peen Hammer illustrator, George O’Connor and I discussed his latest book and as well as his work in children’s books and his future in the world of the Olympians.
It’s hard to believe that I have been doing the Inkstuds Radio show for 4 years now, to the day. At first, I had no idea what I was doing, or even why I was doing this. Early shows were a painful mix of dreary dialogue and a more than sufficient amount of umms and ahhhs. When I decided to focus on doing interviews, some people asked me how long I could go without repeating guests, and obviously it has gone on a lot longer than those folks expected. While there have been some guests that have made multiple appearances on the show, I would have them on as often as they would let me talk to them, when you are talking folks like Eddie Campbell, Peter Bagge and others.
Going into this new year of Inkstuds is very different from the past. Things have been better than ever. I have been able to interview dream guests like Jerry Moriarty, Gary Panter and Ralph Steadman, and have plans to chat with some equally exciting underground legends. I am currently in the process of archiving the old interviews with the help of a very generous transcriber. Some of those interviews are going to hopefully be in a book that I am putting together. I don’t want to say too much as it is, since it’s still a year away. There are also talks of putting together a larger art show in conjunction with the book, but once again, still too soon to say too much.
To commemorate this mild landmark, I will be posting a different Interview or Mixtape each day of the week. To top off the bonus programing, will be an interview I conducted a couple of weeks ago with Seth.
Seth was the first guest that I have ever interviewed. He was very generous with his time 4 years ago, and the same now. The Canadian identity is very important for me in respect to coverage with the show and something that I am going to make more of an attempt to be proactive with.
Thanks so much for listening and please keep support your local comickers. I am sure there is some mini-comic worth checking out at your local comic store. And if your comic store refuses to sell mini’s, then don’t shop there.
The cover of Susie Cagle’s fun autobio comic about Food Not Bombs says it all with its splash of unidentifiable goo, dash of DIY (the goo is squeezed out by an industrious silk screener) and urban debris.
The story focuses on the characters surrounding the making and distribution of food for the homeless and hungry (aka the “camping”) in San Francisco. The characters include a stressed Susie learning the ropes, Raj, the skill-less coordinator, the salt-crazy chef and a host of other volunteers and soup eaters from the community. The comic also includes a funny, nicely illustrated recipe for the titular soup that says more than all the pages in the comic put together about Cagle’s feelings on her time doling out food for San Francisco’s hungry. I wish the rest of the comic had been so focused. Instead, it feels very much like what it is, the first part of a longer story. We don’t get any background on the Susie character and only a little on her motivation for joining FnB, and when her reasons are abruptly swept aside by Raj, we don’t get to see her reaction. We don’t know anything about what she does when she’s not cooking. I want to care about Susie, but I can’t quite because I only get to see little bits of what she is like.
I wish Cagle had either stuck to her feelings about FnB, like in the excellent one-page nightmare sequence, or really explored the stories of the people eating, even if that meant going fictional. I understand that a glimpse is the most she gets of these people’s lives, a hand reaching out for a paper cup, but the comic suffers from the author’s slight characterizations.
Cagle’s cartooning is really fun to look at. Her style is a little cartoony, but detailed enough to feel realistic. I love how she draws the FnB crew’s jobs and facial expressions during a cooking session. They all seem a little grim. And the Susie character has such a great face and posture—she looks like a girl whose bike you could get hit by and not care because she’s so nice. I want to see what happens next in the world of Nine Gallons, I only hope some of the characters rise to the top of the broth.

My good friend and awesome cartoonist, Mike Myhre pulled together a fine mix of music. Lots of good stuff to listen to and get into!

J Bradley Johnson has a handfull of comics out there, but if you can hunt them down, they are great. His work can be found in great anthologies like Kramers Ergot, Snake Eyes, Hotwire Comix, and Ivan Brunetti’s first Graphic Fiction anthology.

I was recently informed that there is a park in Queens named after a great-uncle of mine.
Here is info on the park – http://www.nycgovparks.org/parks/Q217/
and here is the location of the park on google street view – http://tiny.cc/Yn2wJ
I would be very grateful if somone in New York, could take a pic of monument, for my own curiousity, and maybe pour out some Olde English for a fallen homie.

Abby Denson joined me for a chat about her book Dolltopia and the wonderful world of cupcakes. Abby will be in Vancouver on Saturday for an event at Elfsar Comics and then on Sunday, she will be doing a reading at Emily Carr

I don’t particularly need to know what happened to the World of Tomorrow, but I’d be curious to know why it ended up so boring. There’s nothing in this book that shouldn’t be riveting—it’s a nostalgic look at the way we (as a culture) have viewed the future over the past 70 years or so, starting with the New York World’s Fair and proceeding up to the present. It’s chock full of really interesting commentary on the various eras and epochs as told through the eyes of a boy and his relationship with his father (as well as the the styles of the various comic books of each age), but unfortuantely the commentary just sits there, failing to connect the reader with either the material or the boy and his father.
To further confuse things, the boy ages extremely slowly, progressing from nine or ten around the start of the book, to his late teens by the end. I’d postulate that this is a metaphorical aging, representing the changes that our society has weathered in order to reach the more mature, realistic vision we have now, but if that’s the case, we are once again left behind by a concept that leaves the average reader behind. My wife, casually picking up the book and interested in the material, couldn’t figure out the metaphor in the aging and put it down, mildly frustrated. That’s not the right reaction when you’re trying to evoke nostalgia and wonder.
I’d like to like Whatever Happened to the World of Tomorrow—I’d certainly like to read the author’s conclusions and points of view in essay-form—but as a graphic novel, the pieces don’t quite mesh together and in the end one is left with the feeling that sometimes the future is better off without us making a big production of searching for it.
I don’t get enoough to document everything i read, but here is some folks who’s work I always enjoy.
Will Dinski just got some props during APE, by receiving the Isotope award. He really deserves the accolades. His comics are all constructed like fine pieces of art. Not only do they look pretty, but they also read great.

Britt Wilson is a supertalented lady out of Toronto. Her comics are well crafted little slices of enjoyment. She really shines when she does her painted work. Britt is still pretty young, so I suggest you get to know her stuff now, before she is some big name fancy shmancy artist, and then you will have some weird bragging rights. I bought all of the mini’s she has listed here and love them.
Australian Pat Grant, sent me an awesome drawing of me interviewing Satan. It made me happy. He also does some great comics too. I love how comics are so international.

Dutchman, Joost Halbertsma has been producing some really interesting work that is a little on the more experimental side. I think he has some good drawing chops and hopefully you do to.

I really enjoy Jason Overby‘s stuff and I think he is really developing a nice unique style. He has a nice piece in the Abstract Comics collection. His work comes from the Gary Panter school and wears it well.